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Ttong i ŏdiro kassŭlkka [Korean] : Yi Sang-gwŏn tonghwajip / [written by] Sang-gwŏn Yi ; [illustrated by] Chin-hŭi Yu.

by Yi, Sang-gwŏn

Ch'angjak kwa Pip'yŏngsa, 2000.

MLJKOR FICTION YI

Feces -- Juvenile fiction

Sinnanŭn ch'aek ilk ; 3.

9788936451035 (pbk.)

8936451030 (pbk.)

Alternate title:

똥이어디로갔을까 [Korean]

Where did the poop go? [Korean]

108 p. : ill. ; 24 cm.

<하늘로 날아간 집오리>, <풀꽃과 친구가 되었어요> 등 우리나라 야생동물과 풀꽃들을 소재로 생태동화를 써온 동화작가 이상권이...

Lee Sang-kwon, who has been loved by children by using eco-fairy tales based on Korean wildlife and herbs such as "Duckling Fly to the Sky" and "I am a friend of a flower," this time tied up five fairy tales . Children like to say "shit" exceptionally. It is the children 's psychology that it is called the "shit" but it bursts from the laughing and the order sequentially. To that extent, `shit` for children is a playground rather than a dirty feces. In fact, these stories were picked among the stories of the poetry that the writer told his young daughter day in and day out. So it is more lively and it feels like it is actually heard from the side. The story of the insect that the child shares with the insects eating the snow poison, "Where did the poop go?", A dad friend in the shit, a grandmother in the shit prison, a story of the grandmother who is sick, The story of "daddy's poop" which is told in the inside, the mother who explains the reason why the mother is eating the poop poison, "the poop dog" which explains the reason to the daughter, the dog and the children who eat poop like the poop children "I think it's from the head of the faucet," Dog Shit Melon ", which made the shit poison under the fence of a friend's house open to the dog shit melon. As you can see, the motif that leads all stories is `shit`. The interesting fact here is that the three taps in front are the story of father and daughter, or mother and daughter, at the present time, and the rest is the childhood story of the father who has returned to the past. Like this, "Where did the poop go?" shit. It is full of shit and shit stories. But it's never dirty or light. Perhaps it is because of the warm gaze and affection of nature in the artist's life. Also, as the author reveals in his preface, it is because of the "taste of the story". And what makes this book stand out is the power of a living, moving picture that is realistic and vivid.

Short stories, Korean

Korean language materials.

Korean fiction.

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