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Klee, Paul, 1879-1940.
Subjects
Klee, Paul, 1879-1940 -- Art collections.
Klee, Paul, 1879-1940 -- Criticism and interpretation.
Painters -- Switzerland -- Criticism and interpretation.
Painters -- Germany -- Criticism and interpretation.
Painting, Swiss -- 20th century.
Painting, German -- 20th century.
Painting, Modern -- 20th century
Painting -- 20th century.
Art, Modern -- 20th century.
Avant-garde (Aesthetics) -- History -- 20th century.
Browse Catalog
by author:
Klee, Paul, 1879-1940.
by title:
Paul Klee....
by call number:
759.9494 K63p
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Klee, Paul, 1879-1940.
Klee, Paul, 1879-1940 -- Art collections.
Klee, Paul, 1879-1940 -- Criticism and interpretation.
Painters -- Switzerland -- Criticism and interpretation.
Painters -- Germany -- Criticism and interpretation.
Painting, Swiss -- 20th century.
Painting, German -- 20th century.
Painting, Modern -- 20th century
Painting -- 20th century.
Art, Modern -- 20th century.
Avant-garde (Aesthetics) -- History -- 20th century.
MARC Display
Paul
Klee
.
by
Klee
,
Paul
,
1879-1940
.
Taschen, 2003.
Call #:
759.9494 K63p
Subjects
Klee
,
Paul
,
1879-1940
--
Art
collections
.
Klee
,
Paul
,
1879-1940
--
Criticism and interpretation.
Painters
--
Switzerland
--
Criticism and interpretation.
Painters
--
Germany
--
Criticism and interpretation.
Painting, Swiss
--
20th century.
Painting, German
--
20th century.
Painting, Modern
--
20th century
Painting
--
20th century.
Art
, Modern
--
20th century.
Avant-garde (Aesthetics)
--
History
--
20th century.
ISBN:
9783822828878 (pbk.)
Description:
1 v. (unpaged) : ill. ; 37 cm.
Notes:
"Taschen portfolio"--Cover.
Text in English, German, French, Spanish and Japanese.
Contents:
Black Prince
--
Sunken landscape
--
The goldfish
--
Children's game
--
Fight scene from the fantastical comic opera "The Seafarers"
--
Woodland berry
--
Sinking sun
--
Camel (in rhythmic landscape with trees)
--
Feather plant
--
Guarded plant
--
Rose garden
--
Untitled
--
Villa R --Light and something more.
Summary:
"We find a unification of oppositions in
Paul
Klee
's work. Mysticism and logic, poetry and mathematics, day and night, metaphysical and physical realms, the visible and the invisible, the conscious and the unconscious, childlike naivety and aesthetic sophistication, death and life, the organic and the inorganic, East and West, order and anarchy, irony and commitment, are often simultaneously present. For
Klee
, the making of
art
was a simile for the creation of the world. Like Goethe, whom he considered the only bearable German, and whose experience of nature seemed allied to his own,
Klee
attempted to capture nature in terms of primal images; and like the poet, the artist discovered analogies to the universal design in the tiniest leaf. On an early trip to Italy, undertaken with the Swiss sculptor Hermann Haller,
Klee
was intrigued less by the legacy of visual artists - with the exception of Leonardo - than by the structural principles of Italian architecture, which he saw as a continuation of natural laws by human hands, and by the fantastic aquatic flora and fauna in the Naples aquarium. Between these two poles lay the garden, organic nature domesticated and shaped by man, which inspired many of
Klee
's finest pictures. And it was between these two poles, those of construction and imagination, that his rich ouvre slowly and continually developed. The
Paul
Klee
portfolio features high quality prints
--
14 large-format reproductions, each with a brief description"--Provided by publisher.
Holds:
0
Copy/Holding information
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Adult Nonfiction
759.9494 K63p
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Jul 04, 2024
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