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Halifax Public Libraries
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Library Journal Review
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English, T. J., 1957-
Subjects
Jazz -- Social aspects -- United States -- History -- 20th century.
Jazz -- History and criticism.
Music and crime.
Organized crime -- United States -- History -- 20th century.
Browse Catalog
by author:
English, T. J., 1957-
by title:
Dangerous rhythms : ...
by call number:
306.48425 E58d
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English, T. J., 1957-
Jazz -- Social aspects -- United States -- History -- 20th century.
Jazz -- History and criticism.
Music and crime.
Organized crime -- United States -- History -- 20th century.
MARC Display
Dangerous rhythms :
jazz
and the underworld / T. J. English.
by
English, T. J., 1957-
William Morrow, an imprint of HarperCollins Publishers, 2022.
Call #:
306.48425 E58d
Subjects
Jazz
--
Social
aspects
--
United
States
--
History
--
20th
century
.
Jazz
--
History
and criticism.
Music and crime.
Organized crime
--
United
States
--
History
--
20th
century
.
ISBN:
9780063031418 (hc)
9780063031425 (trade pbk)
Edition:
1st ed.
Description:
437 p., 32 unnumbered p. of plates : ill. ; 24 cm.
Bibliography:
Includes bibliographical references (p. 409-420) and index.
Summary:
"From T. J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of
jazz
and organized crime in
20th
century
America. Dangerous Rhythms tells the symbiotic story of
jazz
and the underworld: a relationship fostered in some of
20th
century
America's most notorious vice districts. For the first half of the
century
mobsters and musicians enjoyed a mutually beneficial partnership. By offering artists like Louis Armstrong, Earl 'Fatha' Hines, Fats Waller, Duke Ellington, Billie Holiday, Lena Horne, and Ella Fitzgerald a stage, the mob, including major players Al Capone, Meyer Lansky, and Charlie 'Lucky' Luciano, provided opportunities that would not otherwise have existed. Even so, at the heart of this relationship was a festering racial inequity. The musicians were mostly African American, and the clubs and means of production were owned by white men. It was a glorified plantation system that, over time, would find itself out of tune with an emerging Civil Rights movement. Some artists, including Louis Armstrong, believed they were safer and more likely to be paid fairly if they worked in 'protected' joints. Others believed that playing in venues outside mob rule would make it easier to have control over their careers. Through English's voluminous research and keen narrative skills, Dangerous Rhythms reveals this deeply fascinating slice of American
history
in all its sordid glory."--Publisher.
Holds:
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Copy/Holding information
Location
Collection
Call No.
Item type
Status
Cole Harbour Public Library
Adult Nonfiction
306.48425 E58d
Adult books
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Halifax North Memorial Public Library
Adult Nonfiction
306.48425 E58d
Adult books
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