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  • Bourland, W. Ian, 1982-
     
     Subjects
     
  •  
  • Fani-Kayode, Rotimi, 1955-1989 -- Criticism and interpretation.
     
  •  
  • Photography of men.
     
  •  
  • Photography of the nude.
     
  •  
  • Homosexuality in art.
     
  •  
  • Blacks in art.
     
  •  
  • Gay erotic photography.
     
  •  
  • Photographers -- Nigeria.
     
  •  
  • Photography -- Social aspects.
     
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  •  Bourland, W. Ian, 1982-
     
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  •  Bloodflowers : Rotim...
     
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  •  779.21 B774b
     
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  •  
  • Bourland, W. Ian, 1982-
     
  •  
  • Fani-Kayode, Rotimi, 1955-1989 -- Criticism and interpretation.
     
  •  
  • Photography of men.
     
  •  
  • Photography of the nude.
     
  •  
  • Homosexuality in art.
     
  •  
  • Blacks in art.
     
  •  
  • Gay erotic photography.
     
  •  
  • Photographers -- Nigeria.
     
  •  
  • Photography -- Social aspects.
     
     
     MARC Display
    Bloodflowers : Rotimi Fani-Kayode, photography, and the 1980s / W. Ian Bourland.
    by Bourland, W. Ian, 1982-
    View full image
    Duke University Press, 2019.
    Call #:779.21 B774b
    Subjects
  • Fani-Kayode, Rotimi, 1955-1989 -- Criticism and interpretation.
  •  
  • Photography of men.
  •  
  • Photography of the nude.
  •  
  • Homosexuality in art.
  •  
  • Blacks in art.
  •  
  • Gay erotic photography.
  •  
  • Photographers -- Nigeria.
  •  
  • Photography -- Social aspects.
  • Series
  • Visual arts of Africa and its diasporas.
  • ISBN: 
    9781478000686 (hc)
    9781478000891 (pbk)
    Alternate title: 
    Rotimi Fani-Kayode, photography, and the 1980s
    Description: 
    viii, 328 p. : ill. ; 23 cm.
    Bibliography: 
    Includes bibliographical references and index.
    Summary: 
    Examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. The author situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analysis of Fani-Kayode's portraiture, the author outlines the important influence that surrealism, Neoromanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In doing so, the author offers new perspectives on a pivotal artist whose brief carer continues to resonate with deep aesthetic and social meaning.
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    LocationCollectionCall No.Item typeStatus 
    Halifax North Memorial Public LibraryAdult Black Nonfiction779.21 B774bAdult booksChecked inAdd Copy to MyList


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