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Sparling, Heather, 1972-
Subjects
Mouth music -- Nova Scotia -- Cape Breton Island -- History and criticism.
Mouth music -- Atlantic Provinces -- History and criticism.
Mouth music -- Canada -- History and criticism.
Mouth music -- Scotland -- History and criticism.
Mouth music -- History and criticism.
Celtic music -- Nova Scotia -- Cape Breton Island -- History and criticism.
Celtic music -- Atlantic Provinces -- History and criticism.
Celtic music -- Scotland -- History and criticism.
Celtic music -- History and criticism.
Folk music -- Nova Scotia -- Cape Breton Island -- History and criticism.
Folk music -- Atlantic Provinces -- History and criticism.
Folk music -- Scotland -- History and criticism.
Folk songs, Scottish Gaelic -- Nova Scotia -- Cape Breton Island -- History and criticism.
Folk songs, Scottish Gaelic -- Atlantic Provinces -- History and criticism.
Folk songs, Scottish Gaelic -- Canada -- History and criticism.
Folk songs, Scottish Gaelic -- Scotland -- History and criticism.
Scots -- Nova Scotia -- Music -- History and criticism.
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Sparling, Heather, 1972-
by title:
Reeling roosters and...
by call number:
781.62916 S736r
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Sparling, Heather, 1972-
Mouth music -- Nova Scotia -- Cape Breton Island -- History and criticism.
Mouth music -- Atlantic Provinces -- History and criticism.
Mouth music -- Canada -- History and criticism.
Mouth music -- Scotland -- History and criticism.
Mouth music -- History and criticism.
Celtic music -- Nova Scotia -- Cape Breton Island -- History and criticism.
Celtic music -- Atlantic Provinces -- History and criticism.
Celtic music -- Scotland -- History and criticism.
Celtic music -- History and criticism.
Folk music -- Nova Scotia -- Cape Breton Island -- History and criticism.
Folk music -- Atlantic Provinces -- History and criticism.
Folk music -- Scotland -- History and criticism.
Folk songs, Scottish Gaelic -- Nova Scotia -- Cape Breton Island -- History and criticism.
Folk songs, Scottish Gaelic -- Atlantic Provinces -- History and criticism.
Folk songs, Scottish Gaelic -- Canada -- History and criticism.
Folk songs, Scottish Gaelic -- Scotland -- History and criticism.
Scots -- Nova Scotia -- Music -- History and criticism.
MARC Display
Reeling roosters and dancing ducks : Celtic mouth
music
/ Heather Sparling.
by
Sparling, Heather, 1972-
Cape Breton University Press, 2014.
Call #:
781.62916 S736r
Subjects
Mouth
music
--
Nova Scotia
--
Cape Breton Island
--
History
and
criticism
.
Mouth
music
--
Atlantic
Provinces
--
History
and
criticism
.
Mouth
music
--
Canada
--
History
and
criticism
.
Mouth
music
--
Scotland
--
History
and
criticism
.
Mouth
music
--
History
and
criticism
.
Celtic
music
--
Nova Scotia
--
Cape Breton Island
--
History
and
criticism
.
Celtic
music
--
Atlantic
Provinces
--
History
and
criticism
.
Celtic
music
--
Scotland
--
History
and
criticism
.
Celtic
music
--
History
and
criticism
.
Folk
music
--
Nova Scotia
--
Cape Breton Island
--
History
and
criticism
.
Folk
music
--
Atlantic
Provinces
--
History
and
criticism
.
Folk
music
--
Scotland
--
History
and
criticism
.
Folk
songs, Scottish Gaelic
--
Nova Scotia
--
Cape Breton Island
--
History
and
criticism
.
Folk
songs, Scottish Gaelic
--
Atlantic
Provinces
--
History
and
criticism
.
Folk
songs, Scottish Gaelic
--
Canada
--
History
and
criticism
.
Folk
songs, Scottish Gaelic
--
Scotland
--
History
and
criticism
.
Scots
--
Nova Scotia
--
Music
--
History
and
criticism
.
ISBN:
9781927492987 (pbk.)
Description:
xv, 356 pages ; 23 cm.
Bibliography:
Includes bibliographical references and index.
Summary:
Puirt-a-beul is a traditional Celtic form of mouth
music
, and was sometimes used for dancing when no instruments were available. Puirt-a-beul are popular with both Gaelic-speaking and non-Gaelic speaking audiences and this book offers the first comprehensive study of the genre. Heather Sparling considers how puirt-a-beul compare to other forms of global mouth
music
and examines its origins, its musical and lyrical characteristics, and its functions. Sparling brings together years of research, including an array of historical references to puirt-a-beul, interviews with Gaelic singers in both Scotland and Nova Scotia, observations of puirt-a-beul performances on both sides of the
Atlantic
as well as on recordings, and analysis of melodies and lyrics. Her Nova Scotia viewpoint allows her to consider puirt-a-beul in both its Scottish and diaspora contexts, a perspective that is too often absent in studies of Gaelic song.
Holds:
0
Copy/Holding information
Location
Collection
Call No.
Item type
Status
Central Library
Local History Collection
781.62916 S736r
Non-circulating
Local History Room - Central Library, 4th Floor
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