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Sanneh, Kelefa.
Subjects
Popular music -- History and criticism.
Rock music -- History and criticism.
Punk rock music -- History and criticism.
Rhythm and blues music -- History and criticism.
Country music -- History and criticism.
Rap (Music) -- History and criticism.
Electronic dance music -- History and criticism.
Browse Catalog
by author:
Sanneh, Kelefa.
by title:
Major labels : a his...
by call number:
781.64 S228m
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Sanneh, Kelefa.
Popular music -- History and criticism.
Rock music -- History and criticism.
Punk rock music -- History and criticism.
Rhythm and blues music -- History and criticism.
Country music -- History and criticism.
Rap (Music) -- History and criticism.
Electronic dance music -- History and criticism.
MARC Display
Major labels : a
history
of popular
music
in seven genres / Kelefa Sanneh.
by
Sanneh, Kelefa.
Penguin Press, 2021.
Call #:
781.64 S228m
Subjects
Popular
music
--
History
and
criticism
.
Rock
music
--
History
and
criticism
.
Punk rock
music
--
History
and
criticism
.
Rhythm and blues
music
--
History
and
criticism
.
Country
music
--
History
and
criticism
.
Rap (
Music
)
--
History
and
criticism
.
Electronic
dance
music
--
History
and
criticism
.
ISBN:
9780525559597 (hc)
Description:
xx, 476 p. ; 25 cm.
Bibliography:
Includes index.
Summary:
"An epic achievement and a huge delight, the entire
history
of popular
music
over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop,
dance
music
, and pop. Kelefa Sanneh, one of the essential voices of our time on
music
and culture, has made a deep study of how popular
music
unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career's worth of knowledge about
music
and musicians into a brilliant and omnivorous reckoning with popular
music
--
as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the
history
of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black
music
and white
music
, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular
music
isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism;
music
is a powerful tool for human connection, but also for human antagonism. This is a book about the
music
everyone loves, the
music
everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full. "--Publisher.
Genre:
Music
criticism
and reviews.
Holds:
0
Copy/Holding information
Location
Collection
Call No.
Item type
Status
Due Date
Woodlawn Public Library
Adult Black Nonfiction
781.64 S228m
Adult books
Checked out
Jul 08, 2024
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Central Library
Adult Black Nonfiction
781.64 S228m
Adult books
Checked in
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