e-branch
e-branch
 Home 
 My Account/Renew Loans 
 Community Info 
 KidSearch 
 New Catalogue! 
   
SearchAdvancedBy FormatBy NumberMy SearchesCan't Find it?Find Magazine Articles & moreProblems?
Search:    Refine Search  
> You're searching: Halifax Public Libraries
 
Item Information
 Copy / Holding InformationCopy / Holding Information
  More Content
 
 
 More by this author
 
  •  
  • Sammon, Paul.
     
     Subjects
     
  •  
  • Blade runner (Motion picture) -- Criticism and interpretation.
     
  •  
  • Blade runner (Motion picture : Final cut) -- Criticism and interpretation.
     
  •  
  • Science fiction films -- United States -- History and criticism.
     
  •  
  • Film noir -- United States -- History and criticism.
     
  •  
  • Dystopian films -- United States -- History and criticism.
     
  •  
  • Cult films -- United States -- History and criticism.
     
     Browse Catalog
      by author:
     
  •  
  •  Sammon, Paul.
     
      by title:
     
  •  
  •  Future Noir : the ma...
     
      by call number:
     
  •  
  •  791.4372 B632s
     
     Search the Web
     
  •  
  • Sammon, Paul.
     
  •  
  • Blade runner (Motion picture) -- Criticism and interpretation.
     
  •  
  • Blade runner (Motion picture : Final cut) -- Criticism and interpretation.
     
  •  
  • Science fiction films -- United States -- History and criticism.
     
  •  
  • Film noir -- United States -- History and criticism.
     
  •  
  • Dystopian films -- United States -- History and criticism.
     
  •  
  • Cult films -- United States -- History and criticism.
     
     
     MARC Display
    Future Noir : the making of Blade Runner / Paul M. Sammon
    by Sammon, Paul.
    View full image
    Dey Street Books, an imprint of William Morrow, 2017.
    Call #:791.4372 B632s
    Subjects
  • Blade runner (Motion picture) -- Criticism and interpretation.
  •  
  • Blade runner (Motion picture : Final cut) -- Criticism and interpretation.
  •  
  • Science fiction films -- United States -- History and criticism.
  •  
  • Film noir -- United States -- History and criticism.
  •  
  • Dystopian films -- United States -- History and criticism.
  •  
  • Cult films -- United States -- History and criticism.
  • ISBN: 
    9780062699466 (pbk.)
    Edition: 
    Revised and updated edition ; first Dey Street paperback
    Description: 
    xxv, 594 pages : illustrations ; 24 cm
    Notes: 
    "Originally published as Future Noir in 1996 by HarperPaperbacks."--Title page verso
    "Including new interviews with Harrison Ford, Rutger Hauer, and Sean Young. Plus, an update on Blade Runner 2049"--Cover
    Contents: 
    Los Angeles 2017 (preface to the 2017 edition) -- One man's obsession (introduction to the 1996 edition) -- The film -- The book -- Development -- The director and the deal -- Script wars -- Designing Blade Runner -- The cast and crew -- The shoot -- "Blood Runner": friction on the set -- The special effects -- Postproduction and the music -- Sneaks and panic -- Voice-overs, San Diego, and a new happy ending -- The theatrical release -- The cult -- The workprint -- The director's cut -- The legend grow -- The final cut -- Blade Runner 2049 -- Check the gate -- Interviews -- Credits
    Summary: 
    "Ridley Scott's 1992 "Director's Cut" confirmed the international film cognoscenti's judgment: Blade Runner, based on Philip K. Dick's brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is the most visually dense, thematically challenging, and influential science fiction film ever made. This book offers a deeper understanding of this cult phenomenon that is storytelling and visual filmmaking at its best. Film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre. The making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This book includes : An overview of Blade Runner's impact on moviemaking. The history of Blade Runner: The Final Cut and its theatrical release in 2007. A look at its long-awaited sequel Blade Runner 2049. A 2007 interview with Harrison Ford. Interviews with Rutger Hauer and Sean Young. A look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time."--Provided by publisher.
    "Blade Runner is a 1982 American neo-noir science fiction film directed by Ridley Scott, starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos. It is a loose adaptation of the 1968 novel Do Androids Dream of Electric Sheep? by Philip K. Dick. Set in a dystopian Los Angeles in 2019, the film depicts a future in which synthetic humans known as replicants are bioengineered to work on off-world colonies. Seven versions of Blade Runner exist as a result of controversial changes made at the request of studio executives. A director's cut was released in 1992 after a strong response to test screenings of a workprint. This, in conjunction with the film's popularity as a video rental, made it one of the first movies to be released on DVD. In 2007, Warner Bros. released The Final Cut, a 25th-anniversary digitally remastered version."--From wikipedia.org website.
    Holds: 
    0
    Add to my list 
    Copy/Holding information
    LocationCollectionCall No.Item typeStatus 
    Central LibraryAdult Nonfiction791.4372 B632sAdult booksChecked inAdd Copy to MyList


    Horizon Information Portal 3.24_8902M
     
    © 2001-2013 SirsiDynix All rights reserved.
    Horizon Information Portal