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Dinerstein, Joel, 1958-
Subjects
Popular culture -- United States -- History -- 20th century.
Cool (The English word)
United States -- Social life and customs -- 1945-1970.
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by author:
Dinerstein, Joel, 1958-
by title:
Origins of cool in p...
by call number:
306.0973 D583o
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Dinerstein, Joel, 1958-
Popular culture -- United States -- History -- 20th century.
Cool (The English word)
United States -- Social life and customs -- 1945-1970.
MARC Display
Origins of
cool
in postwar America / Joel Dinerstein.
by
Dinerstein, Joel, 1958-
The University of Chicago Press, c2017.
Call #:
306.0973 D583o
Subjects
Popular culture -- United States -- History -- 20th century.
Cool
(The
English
word
)
United States -- Social life and customs -- 1945-1970.
ISBN:
9780226599069 (pbk.)
Description:
541 p. : ill. ; 23 cm.
Bibliography:
Includes bibliographical references (pages 465-528) and index
Contents:
Prelude: Paris, 1949 -- Introduction: The origins of
cool
-- Lester Young and the birth of
cool
-- Humphrey Bogart and the birth of noir
cool
from the Great Depression -- Albert Camus and the birth of existential
cool
from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir : toward a postwar
cool
for women --
Cool
convergences, 1950 : Jazz, noir, existentialism -- A generational interlude : Postwar II (1953-1963) and the shift in
cool
. Kerouac and the
cool
mind : Jazz and zen ; From noir
cool
to Vegas
cool
: swinging into prosperity with Frank Sinatra ; American rebel
cool
: Brando, Dean, Elvis ; Sonny Rollins and Miles Davis sound out
cool
individuality -- Hip versus
cool
in The fugitive kind (1960) and Paris blues (1962) ; Lorraine Hansberry and the end of postwar
cool
-- Epilogue: The afterlives of postwar
cool
.
Summary:
"
Cool
. It was a new
word
and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of
Cool
in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this book,
cool
began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among John-Paul Sartre, Simone De Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white negro" and Black
cool
. We come to understand how the
cool
worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches definitions of
cool
that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be
cool
is not to be hip and to be hot is definitely not to be
cool
."--From publisher.
Holds:
0
Copy/Holding information
Location
Collection
Call No.
Item type
Status
Central Library
Adult Nonfiction
306.0973 D583o
Core Collection - Adult
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