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Halifax Public Libraries
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Library Journal Review
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Bailey, Martin, 1947-
Subjects
Gogh, Vincent van, 1853-1890 -- Homes and haunts -- France -- Arles.
Post-impressionism (Art)
Painters -- Netherlands -- Biography.
Artists -- Netherlands -- Biography.
Browse Catalog
by author:
Bailey, Martin, 1947-
by title:
Studio of the South ...
by call number:
759.9492 G613bm
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Bailey, Martin, 1947-
Gogh, Vincent van, 1853-1890 -- Homes and haunts -- France -- Arles.
Post-impressionism (Art)
Painters -- Netherlands -- Biography.
Artists -- Netherlands -- Biography.
MARC Display
Studio
of the
South
:
Van
Gogh
in
Provence
/ Martin Bailey.
by
Bailey, Martin, 1947-
Frances Lincoln, 2016.
Call #:
759.9492 G613bm
Subjects
Gogh
, Vincent
van
, 1853-1890 -- Homes and haunts -- France -- Arles.
Post-impressionism (Art)
Painters -- Netherlands -- Biography.
Artists -- Netherlands -- Biography.
ISBN:
9780711236677 (hc.)
Alternate title:
Van
Gogh
in
Provence
Edition:
First Frances Lincoln edition.
Description:
224 pages : illustrations (chiefly color), maps (some color) ; 26 cm
Bibliography:
Includes bibliographical references (pages 210-211) and index.
Summary:
The story of
Van
Gogh
's period in Arles in 1888-9, when his powers were at their height, throwing new light on the legendary artist and giving a definitive account of his fifteen months spent in Arles, including his collaboration with Gauguin.
Van
Gogh
headed to Arles believing that the landscape of
Provence
would have parallels with Japan, whose art he greatly admired. The
south
of France was an exciting new land, bursting with life. He loved walking the 5 kilometres up into the hills with the ruined abbey of Montmajour and in late spring he drew and painted over a dozen landscapes there. He went on an excursion to Saintes-Maries-de-la-Mer, a fishing village on the far side of the Camargue, where he saw the Mediterranean for the first time, energetically capturing it in paint. He painted portraits of friends and locals, and embarked on his flower still life paintings, culminating in the Sunflowers. During the heat of the Provencal summer,
Van
Gogh
painted harvest scenes. He rented the Yellow House from May, inviting Paul Gauguin to join him there. This encounter was to have a profound impact on both of the artists. They painted side by side in the Alyscamps, an ancient necropolis on the outskirts of town, their collaboration coming to a dramatic end in December. The difficulties
Van
Gogh
faced living by himself led to his eventual decision in May 1889 to retreat to the asylum at Saint-Remy. One of his final tasks at the Yellow House was to pack up two crates with his last eight months' of paintings. Unsold in his lifetime, the pictures have since been recognized as some of the greatest works of art ever created.
Holds:
0
Copy/Holding information
Location
Collection
Call No.
Item type
Status
Central Library
Adult Nonfiction
759.9492 G613bm
Core Collection - Adult
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