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  • Sanger, Peter, 1943-
     
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  • Thompson, John, 1938-1976 -- Criticism and interpretation.
     
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  • Bishop, Elizabeth, 1911-1979 -- Criticism and interpretation.
     
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  • Outram, Richard Daley, 1930-2005 -- Criticism and interpretation.
     
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  • Lochhead, Douglas, 1922- -- Criticism and interpretation.
     
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  • Jones, David, 1895-1974-- -- Criticism and interpretation.
     
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  • Hill, Geoffrey -- Criticism and interpretation.
     
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  • Canadian poetry -- 21st century -- History and criticism.
     
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  • Canadian poetry -- 20th century -- History and criticism
     
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  • Canadian essays -- 21st century.
     
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  • Canadian essays -- 20th century.
     
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  •  
  • Sanger, Peter, 1943-
     
  •  
  • Thompson, John, 1938-1976 -- Criticism and interpretation.
     
  •  
  • Bishop, Elizabeth, 1911-1979 -- Criticism and interpretation.
     
  •  
  • Outram, Richard Daley, 1930-2005 -- Criticism and interpretation.
     
  •  
  • Lochhead, Douglas, 1922- -- Criticism and interpretation.
     
  •  
  • Jones, David, 1895-1974-- -- Criticism and interpretation.
     
  •  
  • Hill, Geoffrey -- Criticism and interpretation.
     
  •  
  • Canadian poetry -- 21st century -- History and criticism.
     
  •  
  • Canadian poetry -- 20th century -- History and criticism
     
  •  
  • Canadian essays -- 21st century.
     
  •  
  • Canadian essays -- 20th century.
     
     
     MARC Display
    Of things unknown : critical essays 1978-2005 / Peter Sanger.
    by Sanger, Peter, 1943-
    View full image
    Gaspereau Press Printers & Publishers, 2015.
    Call #:819.454 S225o
    Subjects
  • Thompson, John, 1938-1976 -- Criticism and interpretation.
  •  
  • Bishop, Elizabeth, 1911-1979 -- Criticism and interpretation.
  •  
  • Outram, Richard Daley, 1930-2005 -- Criticism and interpretation.
  •  
  • Lochhead, Douglas, 1922- -- Criticism and interpretation.
  •  
  • Jones, David, 1895-1974-- -- Criticism and interpretation.
  •  
  • Hill, Geoffrey -- Criticism and interpretation.
  •  
  • Canadian poetry -- 21st century -- History and criticism.
  •  
  • Canadian poetry -- 20th century -- History and criticism
  •  
  • Canadian essays -- 21st century.
  •  
  • Canadian essays -- 20th century.
  • ISBN: 
    9781554471508 (pbk.)
    Description: 
    368 p. ; 21 cm.
    Bibliography: 
    Includes bibliographical references.
    Contents: 
    John Thompson's Stilt Jack -- Two memoirs: Donald Davie & Charles Tomlinson -- Geoffrey Hill: The mystery of the charity of Charles Péguy -- David Jones: The Roman quarry & other sequences -- Elizabeth Bishop and Nova Scotia -- Saint-Denys-Garneau: a cento on poetry, writing, painting & music -- White studio: for Paul-Émile Borduas -- Warden of stories: on the letters and conversation of David Jones -- Finding D\\Sonoqua's child: myth, truth & lies in the prose of Emily Carr -- The real round of the saying: an introduction to the poetry of Douglas Lochhead -- A chase for the Vine-Juice Skipper: David Jones and Thomas Dilworth -- Some kind of revelation: Geoffrey Hill's The lords of limit -- As the eyes of Lyncaeus: a celebration for Douglas Lochhead -- And even spoke some myself : Elizabeth Bishop and the community of imaginable words -- To tell tales of wilderness : Douglas Lochhead's Homage to Henry Alline & other poems and Black festival -- Sobieski's shield: On Geoffrey Hill's The enemy's country and New & collected poems -- Monumental questions: Mark Strand and Elizabeth Bishop -- My house, my fairy palace is : notes on Elizabeth Bishop's paintings, Nova Scotia landscape and Landscape with Gray Hills -- A word still dwelling: on Richard Outram's Lightfall -- Pig's ear: Poetic diction in Eric Ormsby's work -- Night sea voyage: John Thompson -- Traces of passage: Douglas Lochhead, John Thompson and the Tantramar -- Good as green -- Finding Scheherazade.
    Summary: 
    "For over four decades, Nova Scotia poet and essayist Peter Sanger has quietly shaped the literary landscape of the nation, both through his own critically acclaimed books and as the long-serving poetry editor of The Antigonish Review. Underpinning this contribution is Sanger's dedication to the long-form critical essay, a form of which he is an acknowledged master. Twenty-four of Sanger's previously uncollected critical essays, their subjects ranging from writers with whom he has been long associated (John Thompson, Douglas Lochhead, Richard Outram, Elizabeth Bishop) to others like Geoffrey Hill, David Jones, Saint-Denys-Garneau and Emily Carr. Appraised as a whole, Sanger's essays map the evolution of a critical methodology which worked counter to the inward-looking, nationalistic cheerleading (and sometimes juvenile sniping) that often dominates Canadian criticism. Through his intense focus on the texts, on reading deeper and ranging wider, Sanger modelled a way for the generation of Canadian literary critics and readers that followed, challenging our sense of how we might think and write about what we read. Peter Sanger's poetry collections include Aiken Drum, John Stokes' Horse and Fireship: Early Poems, 1965–1991. His prose projects include, The Stone Canoe: Two Lost Mi'kmaq Texts (with Elizabeth Paul), White Salt Mountain: Words in Time and Spar: Words in Place. He lives in South Maitland, Nova Scotia"--Provided by publisher.
    Genre: 
    Canadian essays.
    Essays.
    Holds: 
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