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Live cinema and its techniques / Francis Ford Coppola.

by Coppola, Francis Ford, 1939-

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Liveright Publishing Corporation, c2017.

791.43023 C785L

Motion pictures -- Production and direction.

9781631493669 (hc)

1631493663 (hc)

xiii, 210 p. : ill. ; 22 cm.

Includes index.

Preface: Why this book -- Personal introduction -- Proof-of-concept workshops -- A short history of film and television -- The actors, acting, and rehearsal -- Equipment and technical specifications -- Scenery and location -- The shame of things to come: Madison, Wisconsin -- One from the heart: its lessons -- Rip Van Winkle -- The question of style in the cinema -- The stumble-throughs, technical rehearsals, and dress rehearsals -- Marks and other smaller unresolved problems -- Obstacles and other thoughts on live cinema no matter what they may be -- Equipment--now and in the near future -- Afterword: Why am I doing this? -- Appendix: Journal notes during OCCC live cinema production: May/June 2015 -- Glossary.

A guide to a visionary new form of filmmaking discusses how advances in digital technology have made it possible to create a "live" film that can be sent instantly via satellite for viewing around the world.

"Keenly aware that advancements in digital tools have literally revolutionized every technological aspect of cinema over the last twenty-five years, Francis Ford Coppola is convinced that this same transformation will profoundly alter the way films are conceived and directed, bringing changes as momentous as those when moviemaking shifted from the silent era to 'talkies.' Already such a prototype exists in sports, where advanced digital technology and multiple cameras all filming at once have produced live sporting events of extraordinary sophistication. But the time is not far off, Live Cinema and Its Techniques demonstrates, when a director or a collaborative team of filmmakers working across the internet will create 'live' movies that will be sent instantly via satellite for viewing throughout the world. Yet the creative demands posed by airing live sporting contests pale in contrast with the ambitions of 'cinematic auteurs,' who are inspired by great directors like Sergei Eisenstein, Max Ophuls, or Alfred Hitchcock. As daunting as the challenge is, the process of integrating the highest artistic standards of previous generations into the medium of 'live cinema' can, Coppola explains, be achieved. Tapping into his own encyclopedic knowledge of film history, Coppola threads his vision of this burgeoning cinematic medium with autobiographical and historical vignettes gleaned from the past, recalling his own boyhood obsession with film and his early fascination with the 'Golden Age of Television.' Especially exciting is the exhilaration and drama that results from retraining actors and using a multitude of cameras to create a film that has the in-the-moment energy of a live event. Having already tried out this new medium with 'proof-of-concept workshops,' Coppola has created an invaluable guide for students and teachers alike. Filled with discussions of how to rehearse actors, how to choose scenery and location, and how to overcome theatrical, as well as technical, obstacles, Live Cinema and Its Techniques reveals how the spontaneity of this new genre can ultimately transport filmmaking into a new era of creativity still unimaginable today."--Jacket.

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