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De Waal, Edmund.
Subjects
De Waal, Edmund -- Correspondence.
Camondo, Moïse de, comte, 1860-1935 -- Correspondence.
Camondo family.
Musée Nissim de Camondo.
Imaginary letters.
Art -- Collectors and collecting -- France -- Paris -- Biography.
Jewish capitalists and financiers -- France -- Paris -- Biography.
Browse Catalog
by author:
De Waal, Edmund.
by title:
Letters to Camondo /...
by call number:
707.5 D515L
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De Waal, Edmund.
De Waal, Edmund -- Correspondence.
Camondo, Moïse de, comte, 1860-1935 -- Correspondence.
Camondo family.
Musée Nissim de Camondo.
Imaginary letters.
Art -- Collectors and collecting -- France -- Paris -- Biography.
Jewish capitalists and financiers -- France -- Paris -- Biography.
MARC Display
Letters
to
Camondo
/ Edmund de Waal.
by
De Waal, Edmund.
Farrar, Straus and Giroux, 2021.
Call #:
707.5 D515L
Subjects
De Waal, Edmund -- Correspondence.
Camondo
, Moïse de, comte, 1860-1935 -- Correspondence.
Camondo
family.
Musée Nissim de
Camondo
.
Imaginary
letters
.
Art -- Collectors and collecting -- France -- Paris -- Biography.
Jewish capitalists and financiers -- France -- Paris -- Biography.
ISBN:
9780374603489 (hc)
Edition:
1st American ed.
Description:
182 p. : ill. (some color) ; 22 cm.
Bibliography:
Includes bibliographical references.
Summary:
"A tragic family history told in a collection of imaginary
letters
to a famed collector, Moise de
Camondo
.
Letters
to
Camondo
is a collection of imaginary
letters
from Edmund de Waal to Moise de
Camondo
, the banker and art collector who created a spectacular house in Paris, now the Musée Nissim de
Camondo
, and filled it with the greatest private collection of French eighteenth-century art. The Camondos were a Jewish family from Constantinople, “the Rothschilds of the East,” who made their home in Paris in the 1870s and became philanthropists, art collectors, and fixtures of Belle Époque high society, as well as being targets of antisemitism -- much like de Waal's relations, the Ephrussi family, to whom they were connected. Moise de
Camondo
created a spectacular house and filled it with art for his son, Nissim; after Nissim was killed in the First World War, the house was bequeathed to the French state. Eventually, the Camondos were murdered by the Nazis. After de Waal, one of the world’s greatest ceramic artists, was invited to make an exhibition in the
Camondo
house, he began to write
letters
to Moise de
Camondo
. These fifty
letters
are deeply personal reflections on assimilation, melancholy, family, art, the vicissitudes of history, and the value of memory."--Publisher.
Holds:
1
Copy/Holding information
Location
Collection
Call No.
Item type
Status
Central Library
Adult Nonfiction
707.5 D515L
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