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Halifax Public Libraries
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Schwartz, Selby Wynn, 1975-
Subjects
Gender identity in dance.
Drag shows.
Female impersonators.
Browse Catalog
by author:
Schwartz, Selby Wynn, 1975-
by title:
The bodies of others...
by call number:
306.76 S399b
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Schwartz, Selby Wynn, 1975-
Gender identity in dance.
Drag shows.
Female impersonators.
MARC Display
The bodies of others :
drag
dances
and
their
afterlives
/ Selby Wynn Schwartz.
by
Schwartz, Selby Wynn, 1975-
University of Michigan Press, 2019.
Call #:
306.76 S399b
Subjects
Gender identity in dance.
Drag
shows.
Female impersonators.
Series
Triangulations.
ISBN:
9780472054091 (pbk.)
Alternate title:
Drag
dances
and
their
afterlives
Description:
ix, 285 p. ; 23 cm.
Bibliography:
Includes bibliographical references and index.
Summary:
"The Bodies of Others explores the politics of gender in motion. From
drag
ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, this book delves into four decades of
drag
dances
on American stages, tracing the ways in which bodies can be imagined otherwise.
Drag
dances
take us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, we see dancers who give
their
bodies over to other selves, opening up the category of realness. When realness becomes a practice, dancing can become a way of restaging the histories of bodies. The book maps out a
drag
politics of embodiment, connecting
drag
dances
to queer hope, memory, and mourning. There are aging etoiles, midnight shows, mystical seances, and all of the dust and velvet of divas in
their
dressing-rooms. But these forty years of
drag
dances
are also a cultural history, including Mark Morris dancing the death of Dido in the shadow of AIDS, and the swans of Les Ballets Trockadero de Monte Carlo sketching an antiracist vision for ballet. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which
drag
dances
undertake the work of a shared queer and trans politics. The book will be of interest to scholars and students working on performance, gender and sexuality, and embodiment."--From publisher.
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