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Riding, Alan.
Subjects
World War, 1939-1945 -- France -- Paris.
Popular culture -- France -- Paris -- History -- 20th century.
Paris (France) -- Social life and customs -- 20th century.
Paris (France) -- Intellectual life -- 20th century.
Paris (France) -- History -- 1940-1944.
Browse Catalog
by author:
Riding, Alan.
by title:
And the show went on...
by call number:
944.361 R544a
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Riding, Alan.
World War, 1939-1945 -- France -- Paris.
Popular culture -- France -- Paris -- History -- 20th century.
Paris (France) -- Social life and customs -- 20th century.
Paris (France) -- Intellectual life -- 20th century.
Paris (France) -- History -- 1940-1944.
MARC Display
And the
show
went
on :
cultural
life
in
Nazi-occcupied
Paris
/ Alan Riding.
by
Riding, Alan.
Alfred A. Knopf, 2010.
Call #:
944.361 R544a
Subjects
World War, 1939-1945 -- France --
Paris
.
Popular culture -- France --
Paris
-- History -- 20th century.
Paris
(France) -- Social
life
and customs -- 20th century.
Paris
(France) -- Intellectual
life
-- 20th century.
Paris
(France) -- History -- 1940-1944.
ISBN:
9780307268976
0307268977
Edition:
1st ed.
Description:
xiii, 399 p., [16] p. of plates : ill., map ; 25 cm.
Notes:
"This is a Borzoi book"--T.p. verso.
Bibliography:
Includes bibliographical references (p. [353]-378) and index.
Contents:
Everyone on stage -- Not so droll -- Shall we dance? -- L'américain --
Paris
by night -- Resistance as an idea -- Maréchal, nous voilà! -- Vivace, ma non troppo -- A ripped canvas -- Distraction on screen -- Mirroring the past -- Writing for the enemy -- Chez Florence -- "On the side of
life
" -- The pendulum swings -- Vengeance and amnesia -- Surviving at a price.
Summary:
Throughout this penetrating and unsettling account, Riding keeps alive the quandaries facing many of these artists. Were they "saving" French culture by working? Were they betraying France if they performed before German soldiers or made movies with Nazi approval? Was it the intellectual's duty to take up arms against the occupier? Then, after
Paris
was liberated, what was deserving punishment for artists who had committed "intelligence with the enemy"? By throwing light on this critical moment of twentieth-century European
cultural
history, And the
Show
Went
On focuses anew on whether artists and writers have a special duty to
show
moral leadership in moments of national trauma.
Holds:
0
Copy/Holding information
Location
Collection
Call No.
Item type
Status
Central Library
Adult Nonfiction
944.361 R544a
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